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That can help people get started with production quickly – and they’re always editable later, if you like. Grouping is nothing new in itself, but Apple’s implementation is especially nice, and there’s a preset system for storing your favorite patches.įor newcomers, many of Apple’s own presets make use of Track Stacks to encapsulate fairly sophisticated routings and call them up quickly. In terms of tracks, a new grouping feature called Track Stacks makes it possible to group multiple tracks together, then control panning, mixing, and processing routings for the whole group – without mucking about with bussing. There are also two new features that help organize work. (Hopefully that’s fixed in the build released today in the App Store.) You can also drag tracks up and down in the arrangement, although a bug in the build I tested meant the transparent overlay didn’t always appear in the right spot. The position of the meters and the send knobs also change to communicate their respective pre- or post- setting. I think this speaks for itself - it’s the way it should have been done in the first place (and the way some other DAWs had already worked):Īll components on a channel strip now reflect their position in the signal flow. And there are changes like this, which I will copy verbatim from pre-release text from Apple. Gain reduction meters make metering easier. A clever overlay likewise makes it easy to bypass inserts or open up their settings just by clicking. At last you can move inserts by dragging without a modifier. Once you get into mixing, these changes make working feel more fluid. The transport bar is now at the top, Library and project panes are now in more intuitive locations, and it’s easier to toggle the toolbar. And small changes make it feel more organized.
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But the software looks visually more appealing than ever, which apart from being aesthetically pleasing means it’s generally easier to work on long sessions.
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(I had to refer back to Logic Pro 9 just to be sure.) As in 9, the main working window is a set of collapsible panes. But there’s a level of detail that makes it feel like a bigger step forward in polish. In terms of actual functionality and layout, it actually probably represents a smaller set of changes than the leap from Logic 7 to Logic 8. The first thing you’ll notice about Logic is a greatly-refined interface. It also now includes a variety of presets that take advantage of features like Track Groups, and the Smart Control layouts for desktop and iPad. Refined Interface and MixingĪpple’s updated Library is easier to navigate. This is pre-release software and therefore a preview, not a review, but I can give you some fairly exhaustive details. There’s also one caveat: this release drops the 32-bit bridge for compatibility with plug-ins not yet updated to 64-bit support.ĬDM was given early access to Logic Pro X and Logic Remote, so I’ve been locked in the studio testing everything I can. But it comes in a controller app that you can use as an instrumental input device, mix and parameter controller, and even mobile help device. Audio editing now includes monophonic pitch editing.Īnd one prediction was right: the rise of the iPad has had an impact on Logic. There’s a deep collection of new MIDI effects. There’s a new drum kit instrument, bass amp, pedals, and keys. It adds new tools of interest to songwriters and instrumentalists that make it easier to add more human-sounding drum patterns. Logic in this release continues a beautiful interface modernization. (There’s complete backwards session compatibility.)īut let’s talk instead about what is new.
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In fact, apart from Windows compatibility, you’d be able to easily upgrade from a release of Logic from many years ago. Even old Jam Pack presets still work, and are available as an optional download.
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The Environment is still there, if you want it – though you’re also free to ignore it. With the exception of the long-discontinued WaveBurner and Soundtrack Pro, you’ll be hard pressed to find any “legacy” feature of Logic not in the latest release. As I suspected in 2011, this isn’t the sort of radical departure from previous versions of Logic some had feared. Logic Pro X is here, along with MainStage 3 and a new, free companion iPad app called Logic Remote.įirst, if for some reason you’re a loyal Logic user who has been dreading this upgrade, you can officially relax.
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It’s been four years since we saw a significant update to Apple’s flagship music production suite.
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